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这份极致的艺术表达并未给塔可夫斯基带来预期中的荣誉。在当届戛纳电影节上,塔可夫斯基最终与布列松共同获得最佳导演奖,与期盼多年的金棕榈奖失之交臂。塔可夫斯基在日记中详细记录了电影节上的种种遭遇,他认定这场惜败是苏联当局的刻意操作,是叶尔马什任命苏联导演邦达尔丘克担任评委一手策划的结果:“邦达尔丘克一直在跟《乡愁》较劲。显然,他被派到戛纳就是为了否定这部电影。”字里行间满是失望和愤怒。也正是这场戛纳的失意,击碎了他回国继续电影创作的信心,让他在日记中写下了那个艰难的决定:永远不再返回苏联。

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